ZeMFI Zentrum für Musik- und Filminformatik

Dr.-Ing. Axel Berndt

Address: CeMFI Center of Music and Film Informatics
University of Music Detmold
Ostwestfalen-Lippe University of Applied Sciences
Hornsche Strasse 44
032756 Detmold
Germany
Office: 111
Tel.: +49 (0) 5231 / 975 874
EMail: berndt@hfm-detmold.de





Research Interests:
  • Computer Music
  • Interactive Media Scoring / Games Music
  • Interactive / Adaptive Music
  • New Musical Interfaces
  • Expressive Performance
  • Generative Music
  • Auditory Display
  • Music Information Retrieval

Publications:
2016
  • A. Berndt
    Generative Musik als Werkzeug in der Musikwissenschaft,
    in: Telemann-Konferenzberichte 2012: Vom Umgang mit Telemanns Werken einst und jetzt. Telemannrezeption in drei Jahrhunderten,
    Zentrum für Telemann-Pflege und -Forschung Magdeburg,
    Magdeburg, Germany, in press. BibTeX

    @INPROCEEDINGS{Berndt:2012:GM,
      author = {Berndt, A.},
      title = {{Generative Musik als Werkzeug in der Musikwissenschaft}},
      booktitle = {{Telemann-Konferenzberichte 2012: Vom Umgang mit Telemanns Werken einst und jetzt.\ Telemannrezeption in drei Jahrhunderten}},
      year = {in press},
      organization = {Zentrum für Telemann-Pflege und -Forschung Magdeburg},
      address = {Magdeburg, Germany}
    }

  • A. Berndt, S. Waloschek and A. Hadjakos
    Hand Gestures in Music Production,
    in: H. Timmermans (ed.)
    International Computer Music Conference (ICMC) 2016,
    International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek,
    Utrecht, The Netherlands, September, 2016. BibTeX

    @INPROCEEDINGS{Berndt:2016:HGM,
      author = {Berndt, A. and Waloschek, S. and Hadjakos, A.},
      title = {{Hand Gestures in Music Production}},
      booktitle = {{Proc.\ of the Int.\ Computer Music Conf.\ (ICMC)}},
      year = {2016},
      editor = {Timmermans, H.},
      publisher = {International Computer Music Association, HKU University of the Arts Utrecht, Gaudeamus Muziekweek},
      address = {Utrecht, The Netherlands},
      month = {Sept.}
    }

  • A. Berndt and B. W. Bohl
    XML Music Performance Description,
    in: Music Encoding Conference 2016,
    Music Encoding Initiative, McGill University, Schulich School of Music, Montreal, Canada, May 2016. BibTeX

    @INPROCEEDINGS{Berndt:2016:XMPD,
      author = {Berndt, A. and Bohl, B.~W.},
      title = {{XML Music Performance Description}},
      booktitle = {{Music Encoding Conference 2016}},
      year = {2016},
      organization = {McGill University, Schulich School of Music},
      publisher = {Music Encoding Initiative, University of Virginia Library},
      address = {Montreal, Canada},
      month = {May}
    }

  • B. W. Bohl, A. Berndt and B. Senft
    Formate als Sackgassen: Handlungsempfehlungen,
    in: DHd 2016: Modellierung - Vernetzung - Visualisierung: Die Digital Humanities als fachübergreifendes Forschungsparadigma,
    Leipzig University, nisaba verlag, Leipzig, Germany, March 2016. BibTeX

    @INPROCEEDINGS{Berndt:2016:FAS,
      author = {Bohl, B.~W., and Berndt, A. and Senft, B.},
      title = {{Formate als Sackgassen: Handlungsempfehlungen}},
      booktitle = {{DHd 2016: Modellierung -- Vernetzung -- Visualisierung: Die Digital Humanities als fachübergreifendes Forschungsparadigma}},
      year = {2016},
      organization = {Leipzig University},
      publisher = {nisaba verlag},
      address = {Leipzig, Germany},
      month = {Mar.}
    }

  • B. W. Bohl, A. Berndt, S. Waloschek, and A. Hadjakos.
    Dem Igel Sitte lehren ... Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung,
    in: K. Richts and P. Stadler (eds.) "Ei, dem alten Herrn zoll' ich Achtung gern'" Festschrift für Joachim Veit zum 60. Geburtstag,
    Allitera Verlag, Munich, Germany, January 2016, chapter 12, pp. 141-163. BibTeX

    @INCOLLECTION{Berndt:2016:Igel,
      author = {Bohl, B.~W. and Berndt, A. and Waloschek, S. and Hadjakos, A.},
      title = {{Dem Igel Sitte lehren \dots Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung}},
      booktitle = {{\glqq{}Ei, dem alten Herrn zoll' ich Achtung gern'\grqq{} Festschrift für Joachim Veit zum 60.\ Geburtstag}},
      chapter = {12},
      publisher = {Allitera Verlag},
      year = {2016},
      address = {Munich, Germany},
      editor = {Richts, K. and Stadler, P.},
      month = {Jan.},
      pages = {141--163}
    }

2015
  • A. Berndt, F. Schönfeld, R. Groh, T. Hähnel, T. Marx, and M. Pfleiderer
    Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen,
    in: W. Auhagen, C. Bullerjahn and R. von Georgi (eds.) Musikpsychologie - Anwendungsorientierte Forschung,
    number 25 in: Jahrbuch der Deutschen Gesellschaft für Musikpsychologie,
    Hogrefe Verlag, Göttingen, Germany, December 2015, chapter 22, pp. 254-262. BibTeX

    @INCOLLECTION{Berndt:2015:VOC,
      author = {Berndt, A. and Schönfeld, F. and Groh, R. and Hähnel, T. and Marx, T. and Pfleiderer, M.},
      title = {{Vocalmetrics. Ein Software-Tool für das Visualisieren, das Rating und den Vergleich von Musik-Datensätzen}},
      booktitle = {{Musikpsychologie -- Anwendungsorientierte Forschung}},
      series = {{Jahrbuch der Deutschen Gesellschaft für Musikpsychologie}},
      number = {25},
      publisher = {Hogrefe Verlag},
      month = {Dec.},
      year = {2015},
      editor = {Auhagen, W. and Bullerjahn, C. and von Georgi, R.},
      chapter = {22},
      pages = {254--262},
      address = {Göttingen, Germany}
    }

  • A. Berndt (editor)
    Works in Audio and Music Technology
    Dresden, Germany, September 2015, TUDpress.
    Amazon link

    BibTeX

    @BOOK{Berndt:2015:WAM,
      title = {{Works in Audio and Music Technology}},
      year = {2015},
      editor = {Berndt, A.},
      publisher = {TUDpress},
      month = {Sept.},
      address = {Dresden, Germany}
    }

    • R. H. Lorenz and H. Schuster
      Auditory Pointers,
      in: A. Berndt (ed.) Works in Audio and Music Technology,
      TUDpress, Dresden, Germany, September 2015, chapter 1, pp. 1-30. BibTeX

      @INCOLLECTION{Lorenz:2015:AP,
        author = {Lorenz, R.~H. and Schuster, H.},
        title = {{Auditory Pointers}},
        booktitle = {{Works in Audio and Music Technology}},
        chapter = {1},
        pages = {1--30},
        publisher = {TUDpress},
        year = {2015},
        month = {Sept.},
        address = {Dresden, Germany},
        editor = {Berndt, A.}
      }

    • N. Al-Kassab and A. Berndt
      TouchNoise: A Multitouch Noise Instrument,
      in: A. Berndt (ed.) Works in Audio and Music Technology,
      TUDpress, Dresden, Germany, September 2015, chapter 2, pp. 31-57. BibTeX

      @INCOLLECTION{AlKassab:2015:TNM,
        author = {Al-Kassab, N. and Berndt, A.},
        title = {{TouchNoise: A Multitouch Noise Instrument}},
        booktitle = {{Works in Audio and Music Technology}},
        chapter = {2},
        pages = {31--57},
        publisher = {TUDpress},
        year = {2015},
        month = {Sept.},
        address = {Dresden, Germany},
        editor = {Berndt, A.}
      }

    • M. Müller
      Interactive Ambient Music Generation,
      in: A. Berndt (ed.) Works in Audio and Music Technology,
      TUDpress, Dresden, Germany, September 2015, chapter 3, pp. 59-95. BibTeX

      @INCOLLECTION{Mueller:2015:IAMG,
        author = {Müller, M.},
        title = {{Interactive Ambient Music Generation}},
        booktitle = {{Works in Audio and Music Technology}},
        chapter = {3},
        pages = {59--95},
        publisher = {TUDpress},
        year = {2015},
        month = {Sept.},
        address = {Dresden, Germany},
        editor = {Berndt, A.}
      }

    • A. Berndt
      Formalizing Expressive Music Performance Phenomena,
      in: A. Berndt (ed.) Works in Audio and Music Technology,
      TUDpress, Dresden, Germany, September 2015, chapter 4, pp. 97-128. BibTeX

      @INCOLLECTION{Berndt:2015:FEM,
        author = {Berndt, A.},
        title = {{Formalizing Expressive Music Performance Phenomena}},
        booktitle = {{Works in Audio and Music Technology}},
        chapter = {4},
        pages = {97--128},
        publisher = {TUDpress},
        year = {2015},
        month = {Sept.},
        address = {Dresden, Germany},
        editor = {Berndt, A.}
      }

    • A. Berndt and T. Hähnel
      Studying Music Performance and Perception via Interaction,
      in: A. Berndt (ed.) Works in Audio and Music Technology,
      TUDpress, Dresden, Germany, September 2015, chapter 5, pp. 129-153. BibTeX

      @INCOLLECTION{Berndt:2015:SMP,
        author = {Berndt, A. and Hähnel, T.},
        title = {{Studying Music Performance and Perception via Interaction}},
        booktitle = {{Works in Audio and Music Technology}},
        chapter = {5},
        pages = {129--153},
        publisher = {TUDpress},
        year = {2015},
        month = {Sept.},
        address = {Dresden, Germany},
        editor = {Berndt, A.}
      }

    • F. Schönfeld
      Vocalmetrics: Music Visualization and Rating Techniques,
      in: A. Berndt (ed.) Works in Audio and Music Technology,
      TUDpress, Dresden, Germany, September 2015, chapter 6, pp. 155-170. BibTeX

      @INCOLLECTION{Schoenfeld:2015:VOC,
        author = {Schönfeld, F.},
        title = {{Vocalmetrics: Music Visualization and Rating Techniques}},
        booktitle = {{Works in Audio and Music Technology}},
        chapter = {6},
        pages = {155--170},
        publisher = {TUDpress},
        year = {2015},
        month = {Sept.},
        address = {Dresden, Germany},
        editor = {Berndt, A.}
      }

  • A. Berndt, S. Waloschek and A. Hadjakos
    Gedanken zur Nutzung von Handgesten in der Musikproduktion,
    in: A. Schmidt, M. Burmester and A. Weisbecker (eds.)
    Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces,
    University of Stuttgart, Gesellschaft für Informatik, Oldenbourg Wissenschaftsverlag, Stuttgart, Germany,
    September 2015, pp. 325-330. BibTeX

    @INPROCEEDINGS{Berndt:2015:GNH,
      author = {Berndt, A. and Waloschek, S. and Hadjakos, A.},
      title = {{Gedanken zur Nutzung von Handgesten in der Musikproduktion}},
      booktitle = {{Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces}},
      editor = {Schmidt, A. and Burmester, M. and Weisbecker, A.},
      year = {2015},
      pages = {325--330},
      organization = {University of Stuttgart, Gesellschaft für Informatik},
      publisher = {Oldenbourg Wissenschaftsverlag},
      address = {Stuttgart, Germany},
      month = {Sept.}
    }

  • A. Berndt, N. Al-Kassab and R. Dachselt
    TouchNoise: A New Multitouch Interface for Creative Work with Noise,
    in: Audio Mostly 2015: 10th Conf. on Interaction with Sound - Sound, Semantics and Social Interaction,
    Aristotle University of Thessaloniki, ACM SIGCHI, Thessaloniki, Greece,
    October 2015. BibTeX

    @INPROCEEDINGS{Berndt:2015:TN,
      author = {Berndt, A. and Al-Kassab, N. and Dachselt, R.},
      title = {{TouchNoise: A New Multitouch Interface for Creative Work with Noise}},
      booktitle = {{Audio Mostly 2015: 10th Conf.\ on Interaction with Sound---Sound, Semantics and Social Interaction}},
      organization = {Aristotle University of Thessaloniki},
      publisher = {ACM},
      year = {2015},
      address = {Thessaloniki, Greece},
      month = {Oct.}
    }

    demonstration video
  • A. Hadjakos, A. Berndt and S. Waloschek
    Synchronizing Spatially Distributed Musical Ensembles,
    in: 12th Sound and Music Computing Conf. (SMC15),
    Maynooth University, Maynooth, Ireland, July 2015. BibTeX

    @INPROCEEDINGS{Berndt:2015:SSD,
      author = {Hadjakos, A. and Berndt, A. and Waloschek, S.},
      title = {{Synchronizing Spatially Distributed Musical Ensembles}},
      booktitle = {{12th Sound and Music Computing Conf.\ (SMC15)}},
      year = {2015},
      organization = {Maynooth University},
      address = {Maynooth, Ireland},
      month = {July}
    }

2014
  • F. Schönfeld, A. Berndt, T. Hähnel, M. Pfleiderer, and R. Groh,
    Vocalmetrics: An interactive software for visualization and classification of music,
    in: Audio Mostly: 9th Conf. on Interaction with Sound - Imagining Sound and Music,
    Aalborg University, Interactive Institute/Sonic Studio Piteå, ACM SIGCHI, Aalborg, Denmark,
    October 2014. BibTeX

    @INPROCEEDINGS{Berndt:2014:VM,
      author = {Schönfeld, F. and Berndt, A. and Hähnel, T. and Pfleiderer, M. and Groh, R.},
      title = {{Vocalmetrics: An interactive software for visualization and classification of music}},
      booktitle = {{Audio Mostly 2014: 9th Conf.\ on Interaction with Sound---Imagining Sound and Music}},
      organization = {Aalborg University, Interactive Institute/Sonic Studio Pite\aa},
      publisher = {ACM},
      year = {2014},
      address = {Aalborg, Denmark},
      month = {Oct.}
    }

  • A. Berndt,
    Ambiente Musik zur Vertonung immersiver interaktiver Medien,
    in: Institut für immersive Medien (ed.)
    Jahrbuch immersiver Medien 2014: Klänge, Musik und Soundscapes,
    Schüren Verlag, Fachhochschule Kiel, Germany, October 2014, pp. 95-105. BibTeX

    @INCOLLECTION{Berndt:2014:AMV,
      author = {Berndt, A.},
      title = {{Ambiente Musik zur Vertonung immersiver interaktiver Medien}},
      booktitle = {{Jahrbuch immersiver Medien 2014: Klänge, Musik und Soundscapes}},
      publisher = {Schüren Verlag},
      year = {2014},
      editor = {{Institut für immersive Medien}},
      pages = {95--105},
      address = {Fachhochschule Kiel, Germany},
      month = {Oct.}
    }

  • A. Berndt, N. Al-Kassab, and R. Dachselt
    TouchNoise: A Particle-based Multitouch Noise Modulation Interface,
    in: New Interfaces for Musical Expression (NIME) 2014,
    Goldsmiths, University of London, London, UK,
    June, 2014, pp. 323-326. BibTeX

    @INPROCEEDINGS{Berndt:2014:TN,
      author = {Berndt, A. and Al-Kassab, N. and Dachselt, R.},
      title = {{TouchNoise: A Particle-based Multitouch Noise Modulation Interface}},
      booktitle = {{Proc.\ of New Interfaces for Musical Expression (NIME) 2014}},
      year = {2014},
      publisher = {Goldsmiths, University of London},
      address = {London, UK},
      month = {June},
      pages = {323--326}
    }


    demonstration video
2013
  • R. H. Lorenz, A. Berndt, and R. Groh
    Designing Auditory Pointers,
    in: Audio Mostly: 8th Conf. on Interaction with Sound - Sound for Information and Intuition,
    Interactive Institute/Sonic Studio, ACM SIGCHI, Piteå, Sweden,
    September 2013. BibTeX

    @INPROCEEDINGS{Berndt:2013:DAP,
      author = {Lorenz, R.~H. Berndt, A. and Groh, R.},
      title = {{Designing Auditory Pointers}},
      booktitle = {{Audio Mostly 2013: 8th Conf.\ on Interaction with Sound---Sound for Information and Intuition}},
      organization = {Interactive Institute/Sonic Studio Pite\aa},
      publisher = {ACM SIGCHI},
      year = {2013},
      address = {Pite\aa, Sweden},
      month = {Sept.}
    }

  • M. de Almeida Madeira Clemente, A. Berndt, H. Leitner, M. Keck, R. Gaertner, and R. Groh
    New Perspectives on Interactivity in Project Management Tools,
    in: C. Stephanidis (ed.), HCI International 2013 - Posters' Extended Abstracts,
    Vol. 374 of Communications in Computer and Information Science
    Springer-Verlag, Las Vegas, Nevada, July 2013, pp. 484-488. BibTeX

    @INPROCEEDINGS{Berndt:2013:NPP,
      author = {de Almeida Madeira Clemente, M. and Berndt, A. and Leitner, H. and Keck, M. and Gaertner, R. and Groh, R.},
      title = {{New Perspectives on Interactivity in Project Management Tools}},
      booktitle = {{HCI International 2013---Posters' Extended Abstracts}},
      volume = {374},
      series = {Communications in Computer and Information Science},
      editor = {Stephanidis, C.},
      year = {2013},
      publisher = {Springer},
      address = {Las Vegas, Nevada},
      month = {July},
      pages = {484--488}
    }

  • A. Berndt
    Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen,
    in: Kieler Beiträge zur Filmmusikforschung, vol. 9,
    March 2013, pp. 293-323. BibTeX

    @ARTICLE{Berndt:2013:IDM,
      author = {Berndt, A.},
      title = {{Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen}},
      journal = {{Kieler Beiträge zur Filmmusikforschung}},
      year = {2013},
      volume = {9},
      pages = {293--323},
      month = {March}
    }

2012
  • A. Berndt, R. Dachselt, and R. Groh
    A Survey of Variation Techniques for Repetitive Games Music,
    in: Audio Mostly: 7th Conf. on Interaction with Sound - Sound as Future Vision,
    Ionian Academy, Interactive Institute/Sonic Studio, ACM SIGCHI,
    Corfu, Greece, September 2012, pp. 61-67. BibTeX

    @INPROCEEDINGS{Berndt:2012:SVT,
      author = {Berndt, A. and Dachselt, R. and Groh, R.},
      title = {{A Survey of Variation Techniques for Repetitive Games Music}},
      booktitle = {{Audio Mostly 2012: 6th Conf.\ on Interaction with Sound---Sound and Future Vision}},
      year = {2012},
      organization = {Ionian Academy, Interactive Institute/Sonic Studio Pite\aa},
      publisher = {ACM SIGCHI},
      address = {Corfu, Greece},
      month = {Sept.},
      pages = {61--67}
    }

  • A. Berndt,
    Variance in Repetitive Games Music,
    in: M. Marolt, M. Kaltenbrunner, and M. Ciglar (eds.)
    The International Computer Music Conference (ICMC) 2012,
    International Computer Music Association, IRZU Institute for Sonic Arts Research, University of Ljubljana,
    Ljubljana, Slovenia, September, 2012, pp. 412-415. BibTeX

    @INPROCEEDINGS{Berndt:2012:VRG,
      author = {Berndt, A.},
      title = {{Variance in Repetitive Games Music}},
      booktitle = {{Proc.\ of the Int.\ Computer Music Conf.\ (ICMC)}},
      year = {2012},
      editor = {M. Marolt, M. and Kaltenbrunner, M. and Ciglar, M.},
      publisher = {International Computer Music Association, University of Ljubljana},
      pages = {412--415},
      address = {Ljubljana, Slovenia},
      month = {Sept.}
    }

2011
  • T. Hähnel and A. Berndt
    Eighth-Notes Performances: Kinds of Inégalité,
    in: Audio Mostly: 6th Conf. on Interaction with Sound - Sound and Context,
    University of Coimbra, Interactive Institute/Sonic Studio, ACM SIGCHI,
    Coimbra, Portugal, September 2011, pp. 75-81. BibTeX

    @INPROCEEDINGS{Berndt:2011:ENP,
      author = {Hähnel, T. and Berndt, A.},
      title = {{Eighth-Notes Performances: Kinds of Inégalité}},
      booktitle = {{Audio Mostly 2011: 6th Conf.\ on Interaction with Sound---Sound and Context}},
      year = {2011},
      organization = {University of Coimbra, Interactive Institute/Sonic Studio Pite\aa},
      publisher = {ACM SIGCHI},
      address = {Coimbra, Portugal},
      month = {Sept.},
      pages = {75--81}
    }

  • A. Berndt,
    Musical Tempo Curves,
    in: M. Clarke, M. Adkins, and B. Isaacs (eds.)
    The International Computer Music Conference (ICMC) 2011,
    International Computer Music Association, University of Huddersfield,
    Huddersfield, UK, August, 2011, pp. 118-121. BibTeX

    @INPROCEEDINGS{Berndt:2011:MTC,
      author = {Berndt, A.},
      title = {{Musical Tempo Curves}},
      booktitle = {{Proc.\ of the Int.\ Computer Music Conf.\ (ICMC)}},
      year = {2011},
      editor = {Clarke, M. and Adkins, M. and Isaacs, B.},
      publisher = {International Computer Music Association, University of Huddersfield},
      pages = {118--121},
      address = {Huddersfield, UK},
      month = {Aug.}
    }

  • A. Berndt
    Musik für interaktive Medien: Arrangement- und Interpretationstechniken
    PhD thesis, Otto-von-Guericke University, Faculty of Computer Science,
    Magdeburg, Germany, July 2011, Verlag Dr. Hut.
    Amazon link

    BibTeX

    @BOOK{Berndt:2011:DissBook,
      author = {Berndt, A.},
      title = {{Musik für interaktive Medien: Arrangement- und Interpretationstechniken}},
      publisher = {Verlag Dr.\ Hut},
      year = {2011},
      address = {Munich, Magdeburg, Germany}
    }

  • A. Berndt,
    Diegetic Music: New Interactive Experiences,
    in: M. Grimshaw (ed.)
    Game Sound Technology and Player Interaction: Concepts and Developments,
    IGI Global, Hershey, PA, 2011, pp. 60-76. BibTeX

    @INCOLLECTION{Berndt:2011:DM,
      author = {Berndt, A.},
      title = {{Diegetic Music: New Interactive Experiences}},
      booktitle = {{Game Sound Technology and Player Interaction: Concepts and Developments}},
      publisher = {IGI Global},
      year = {2011},
      address = {Hershey, PA},
      editor = {Grimshaw, M.},
      pages = {60--76}
    }

  • T. Hähnel and A. Berndt,
    Studying Interdependencies in Music Performance: An Interactive Tool,
    in: New Interfaces for Musical Expression (NIME) 2011,
    University of Oslo, Norwegian Academy of Music, Oslo, Norway,
    June, 2011, pp. 48-51. BibTeX

    @INPROCEEDINGS{Berndt:2011:SI,
      author = {Hähnel, T. and Berndt, A.},
      title = {{Studying Interdependencies in Music Performance: An Interactive Tool}},
      booktitle = {{Proc.\ of New Interfaces for Musical Expression (NIME) 2011}},
      year = {2011},
      publisher = {University of Oslo, Norwegian Academy of Music},
      address = {Oslo, Norway},
      month = {May},
      pages = {48--51}
    }

2010
  • A. Berndt and T. Hähnel,
    Modelling Musical Dynamics,
    in: Audio Mostly: 5th Conf. on Interaction with Sound - Sound and Design,
    Interactive Institute/Sonic Studio, ACM, Piteå, Sweden,
    September 2010, pp. 134-141. BibTeX

    @INPROCEEDINGS{Berndt:2010:MMD,
      author = {Berndt, A. and Hähnel, T.},
      title = {{Modelling Musical Dynamics}},
      booktitle = {{Audio Mostly 2010: 5th Conf.\ on Interaction with Sound---Sound and Design}},
      organization = {Interactive Institute/Sonic Studio Pite\aa},
      publisher = {ACM},
      year = {2010},
      address = {Pite\aa, Sweden},
      month = {Sept.},
      pages = {134--141}
    }

    Best Presentation Award
  • T. Hähnel and A. Berndt,
    Synthetic and Pseudo-Synthetic Music Performances: An Evaluation,
    in: Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10),
    University of Cambridge, Cambridge, UK,
    September 2010. BibTeX

    @INPROCEEDINGS{Berndt:2010:SSPMP,
      author = {Hähnel, T. and Berndt, A.},
      title = {{Synthetic and Pseudo-Synthetic Music Performances: An Evaluation}},
      booktitle = {{Proc.\ of the 3rd Int.\ Conf.\ of Students of Systematic Musicology (SysMus10)}},
      year = {2010},
      organization = {University of Cambridge},
      address = {Cambridge, UK},
      month = {Sept.}
    }

  • T. Hähnel and A. Berndt,
    Expressive Articulation for Synthetic Music Performances,
    in: New Interfaces for Musical Expression (NIME) 2010,
    University of Technology Sydney, Australia,
    June 2010, pp. 277-282. BibTeX

    @INPROCEEDINGS{Berndt:2010:EA,
      author = {Hähnel, T. and Berndt, A.},
      title = {{Expressive Articulation for Synthetic Music Performances}},
      booktitle = {{Proc.\ of New Interfaces for Musical Expression (NIME) 2010}},
      year = {2010},
      pages = {277--282},
      publisher = {University of Technology Sydney},
      address = {Sydney, Australia},
      month = {June}
    }

    Demos: G.P. Telemann Allegro from D-Major Flute Concert (extracts): solo extract, full orchestra
    • Related Paper: T. Hähnel
      From Mozart to MIDI: A Rule System for Expressive Articulation,
      in: New Interfaces for Musical Expression (NIME) 2010,
      University of Technology Sydney, Australia,
      June 2010, pp. 72-75. BibTeX

      @INPROCEEDINGS{Haehnel:2010:FMM,
        author = {Hähnel, T.},
        title = {{From Mozart to MIDI: A Rule System for Expressive Articulation}},
        booktitle = {{Proc.\ of New Interfaces for Musical Expression (NIME) 2010}},
        pages = {72--75},
        year = {2010},
        publisher = {University of Technology Sydney},
        address = {Sydney, Australia},
        month = {June}
      }

      Demos: G.P. Telemann Fantasies for Flute solo (extracts): flat articulation, expressive articulation, expressive with varying tempo
  • A. Berndt,
    Decentralizing Music, Its Performance, and Processing,
    in: M. Schedel and D. Weymouth (eds.)
    The International Computer Music Conference (ICMC) 2010,
    Stony Brook University, New York, USA,
    June 2010, pp. 381-388. BibTeX

    @INPROCEEDINGS{Berndt:2010:DMPP,
      author = {Berndt, A.},
      title = {{Decentralizing Music, Its Performance, and Processing}},
      booktitle = {{Proc.\ of the Int.\ Computer Music Conf.\ (ICMC)}},
      year = {2010},
      editor = {Schedel, M. and Weymouth, D.},
      publisher = {International Computer Music Association, Stony Brook University},
      pages = {381--388},
      address = {New York, USA},
      month = {June}
    }

    Demos (performance style changes were triggered interactively, interaction is indicated by "bing" sounds):
    G.P. Telemann Grave (TWV 51:D7): Style 1, Style 2, Mixup
    G.P. Telemann Menuett (TWV 55:A2): Mixup
2009
  • A. Berndt and T. Hähnel,
    Expressive Musical Timing,
    in: Audio Mostly: 4th Conf. on Interaction with Sound - Sound and Emotion,
    Glasgow Caledonian University, Interactive Institute/Sonic Studio,
    Glasgow, UK, September 2009, pp. 9-16. BibTeX

    @INPROCEEDINGS{Berndt:2009:EMT,
      author = {Berndt, A. and Hähnel, T.},
      title = {{Expressive Musical Timing}},
      booktitle = {{Audio Mostly 2009: 4th Conf.\ on Interaction with Sound---Sound and Emotion}},
      publisher = {Glasgow Caledonian University, Interactive Institute/Sonic Studio Pite\aa},
      year = {2009},
      pages = {9--16},
      address = {Glasgow, Scotland},
      month = {Sept.}
    }

  • A. Berndt,
    Musical Nonlinearity in Interactive Narrative Environments,
    in: G. Scavone, V. Verfaille, and A. da Silva (eds.)
    The International Computer Music Conference (ICMC) 2009,
    McGill University, Montreal, Canada,
    August 2009, pp. 355-358. BibTeX

    @INPROCEEDINGS{Berndt:2009:MNI,
      author = {Berndt, A.},
      title = {{Musical Nonlinearity in Interactive Narrative Environments}},
      booktitle = {{Proc.\ of the Int.\ Computer Music Conf.\ (ICMC)}},
      year = {2009},
      editor = {Scavone, G. and Verfaille, V. and da Silva, A.},
      pages = {355--358},
      publisher = {International Computer Music Association, Schulich School of Music/McGill University},
      address = {Montreal, Canada},
      month = {Aug.}
    }

2008
  • A. Berndt and H. Theisel,
    Adaptive Musical Expression from Automatic Realtime Orchestration and Performance,
    in: U. Spierling and N. Szilas (eds.)
    Interactive Digital Storytelling (ICIDS) 2008,
    Springer-Verlag Berlin Heidelberg,
    University of Applied Sciences Erfurt, Germany,
    November 2008, pp. 132-143. BibTeX

    @INPROCEEDINGS{Berndt:2008:AME,
      author = {Berndt, A. and Theisel, H.},
      title = {{Adaptive Musical Expression from Automatic Realtime Orchestration and Performance}},
      booktitle = {{Interactive Digital Storytelling (ICIDS) 2008}},
      editor = {Spierling, U. and Szilas, N.},
      pages = {132--143},
      year = {2008},
      month = {Nov.},
      address = {Erfurt, Germany},
      publisher = {Springer},
      note = {{LNCS 5334}}
    }

    Demo 1: CompleteWalkthrough, Mixup1, Mixup2
    Demo 2: CompleteWalkthrough, Mixup1, Mixup2, Mixup3
  • A. Berndt and K. Hartmann,
    The Functions of Music in Interactive Media,
    in: U. Spierling and N. Szilas (eds.)
    Interactive Digital Storytelling (ICIDS) 2008,
    Springer-Verlag Berlin Heidelberg,
    University of Applied Sciences Erfurt, Germany,
    November 2008, pp. 126-131. BibTeX

    @INPROCEEDINGS{Berndt:2008:FOM,
      author = {Berndt, A. and Hartmann, K.},
      title = {{The Functions of Music in Interactive Media}},
      booktitle = {{Interactive Digital Storytelling (ICIDS) 2008}},
      editor = {Spierling, U. and Szilas, N.},
      pages = {126--131},
      year = {2008},
      month = {Nov.},
      address = {Erfurt, Germany},
      publisher = {Springer},
      note = {{LNCS 5334}}
    }

  • L. Stockmann, A. Berndt, and N. Röber,
    A Musical Instrument based on Interactive Sonification Techniques,
    in: Audio Mostly: 3rd Conf. on Interaction with Sound,
    Interactive Institute/Sonic Studio, Piteå, Sweden,
    October 2008, pp. 72-79. BibTeX

    @INPROCEEDINGS{Berndt:2008:MI,
      author = {Stockmann, L. and Berndt, A. and Röber, N.},
      title = {{A Musical Instrument based on Interactive Sonification Techniques}},
      booktitle = {{Audio Mostly 2008: 3rd Conf.\ on Interaction with Sound}},
      publisher = {Interactive Institute/Sonic Studio Pite\aa},
      pages = {72--79},
      year = {2008},
      address = {Pite\aa, Sweden},
      month = {Oct.}
    }

2007
  • A. Berndt and K. Hartmann,
    Strategies for Narrative and Adaptive Game Scoring,
    in: Audio Mostly - 2nd Conf. on Interaction with Sound,
    Fraunhofer IDMT, Ilmenau, Germany, September 2007, pp. 141-147. BibTeX

    @INPROCEEDINGS{Berndt:2007:AGS,
      author = {Berndt, A. and Hartmann, K.},
      title = {{Strategies for Narrative and Adaptive Game Scoring}},
      booktitle = {{Audio Mostly 2007: 2nd Conf.\ on Interaction with Sound}},
      publisher = {Fraunhofer IDMT, Interactive Institute/Sonic Studio Pite\aa},
      pages = {141--147},
      year = {2007},
      address = {Ilmenau, Germany},
      month = {Sept.}
    }

  • K. Hartmann, D. Büchner, A. Berndt, A. Nürnberger, and C. Lange,
    Interactive Data Mining & Machine Learning Techniques for Musicology,
    in: 3rd Conference on Interdisciplinary Musicology,
    Tallin, Estonia, August 2007. BibTeX

    @INPROCEEDINGS{Berndt:2007:IDM,
      author = {Hartmann, K. and Büchner, D. and Berndt, A. and Nürnberger, A. and Lange, C.},
      title = {{Interactive Data Mining \& Machine Learning Techniques for Musicology}},
      booktitle = {{Conf.\ on Interdisciplinary Musicology 2007 (CIM07)}},
      year = {2007},
      address = {Tallinn, Estonia},
      month = {Aug.}
    }

2006
  • A. Berndt, K. Hartmann, N. Röber, and M. Masuch,
    Composition and Arrangement Techniques for Music in Interactive Immersive Environments,
    in: Audio Mostly - A Conf. on Sound in Games,
    Interactive Institute/Sonic Studio, Piteå, Sweden,
    October 2006, pp. 53-59. BibTeX

    @INPROCEEDINGS{Berndt:2006:CAT,
      author = {Berndt, A. and Hartmann, K. and Röber, N. and Masuch, M.},
      title = {{Composition and Arrangement Techniques for Music in Interactive Immersive Environments}},
      booktitle = {{Audio Mostly 2006: A Conf.\ on Sound in Games}},
      year = {2006},
      pages = {53--59},
      publisher = {Interactive Institute/Sonic Studio},
      address = {Pite\aa, Sweden},
      month = {Oct.}
    }

    Demo 1, Demo 2
  • A. Berndt,
    Repräsentation musikalischer Metainformationen,
    Diploma thesis, Otto-von-Guericke University, Department of Simulation and Graphics,
    Magdeburg, Germany, January 2006. BibTeX

    @MASTERSTHESIS{Berndt:2006:RMM,
      author = {Berndt, A.},
      title = {{Repräsentation musikalischer Metainformationen}},
      school = {Otto-von-Guericke University, Department of Simulation and Graphics},
      year = {2006},
      address = {Magdeburg, Germany},
      month = {Jan.},
      type = {Diploma thesis}
    }

2003
  • W. Chigona, K. Hartmann, A.Berndt, S. Mirschel, and Th. Strothotte,
    Navigating Tools for Text Embedded within Complex-Shaped Area Features and Meandering Linear Features,
    in: Th. Schulze, S. Schlechtweg, and V. Hinz (eds.),
    Simulation und Visualisierung 2003,
    Magdeburg, Germany, March 2003, pp. 129-138. BibTeX

    @INPROCEEDINGS{Berndt:2003:NT,
      author = {Chigona, W. and Hartmann, K. and Berndt, A. and Mirschel, S. and Strothotte, T.},
      title = {{Navigation Tools for Text Embedded within Complex-Shaped Area Features and Meandering Linear Features}},
      booktitle = {Simulation und Visualisierung (SimVis)},
      year = {2003},
      editor = {Schulze, T. and Schlechtweg, S. and Hinz, V.},
      pages = {129--138},
      publisher = {SCS Publishing House e.V.},
      address = {Magdeburg, Germany},
      month = {March}
    }


Invited Talks:
  • A. Berndt and S. H. Menges,
    Musizieren mit dem Computer,
    in: 21. Schulinformatiktag,
    Technische Universität Dresden, Dresden, Germany, March 2015.
  • A. Berndt,
    Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen,
    in: 7. Symposium zur Filmmusikforschung - Film, Tanz, Musik,
    Kieler Gesellschaft für Filmmusikforschung, Salzburg, Austria, June 2012.
  • A. Berndt,
    Generative Musik als Werkzeug in der Musikwissenschaft,
    in: Internationale Wissenschaftliche Konferenz zu den 21. Magdeburger Telemann-Festtagen,
    Zentrum für Telemann-Pflege und -Forschung Magdeburg, Germany, March 2012.
  • A. Berndt,
    Der Computer als Komponist und Interpret der Zukunft?,
    in: Meeting of the Gesellschaft für Informatik (GI),
    Gesellschaft für Informatik, Magdeburg, Germany, April 2011.
  • A. Berndt and T. Hähnel,
    Der Computer als Interpret,
    in: Gespräche um Telemann,
    Zentrum für Telemann-Pflege und -Forschung Magdeburg, Germany, October 2009.
  • A. Berndt and K. Hartmann,
    Audio-Interactive Counterpoint,
    in: Sound, Music, and the Moving Image Conference,
    Institute of Musical Research, London, UK, September 2007.

Sheet Music:
  • A. Berndt,
    Nun sich der Tag geendet hat,
    in: F. Plewka, M. Schmeiß, T. Sterzig, and J. Häußler (eds.)
    Musik aus Mitteldeutschland,
    Strube Verlag, Munich, Germany, January 2012. BibTeX

    @INCOLLECTION{Berndt:2012:NS,
      author = {Berndt, A.},
      title = {{Nun sich der Tag geendet hat}},
      booktitle = {{Musik aus Mitteldeutschland}},
      year = {2012},
      editor = {Plewka, F. and Schmeiß, M. and Sterzig, T. and Häußler, J.},
      publisher = {Strube Verlag},
      address = {Munich, Germany},
      month = {Jan.}
    }

  • A. Berndt,
    Liturgie für Bläser (transl.: Liturgy for Brass),
    Musikverlag Bruno Uetz, Halberstadt, Germany,
    June 2007, 2nd edn. January 2008. BibTeX

    @BOOK{Berndt:2008:LIT,
      author = {Berndt, A.},
      title = {{Liturgie für Bläser}},
      publisher = {Musikverlag Bruno Uetz},
      month = {Jan.},
      year = {2008},
      edition = {2nd},
      address = {Halberstadt, Germany},
      note = {transl.: Liturgy for Brass}
    }


Teaching:
  • Medien und Medienströme: Einführung Audio
  • Interactive Multimedia Information Retrieval: Fundamentals of Music Information Retrieval
  • Musik im Computerspiel
  • Seminar Computermusik


© Axel Berndt